Review · 1993 · Hip Hop

Wu‐Tang Clan - Enter the Wu‐Tang (36 Chambers)

Wu-Tang Clan's Enter the Wu-Tang (36 Chambers) reviewed: grimy, dusty, analog New York underground sound that's nerdy and smooth, with nine vocalists.

Wu‐Tang Clan - Enter the Wu‐Tang (36 Chambers) cover

The verdict

Released 1993
Label RCA
Genre Hip Hop

Note - it was a little hard to find the original album on Spotify. The OG track list contained the censored versions of the songs, which are a little bit pointless for many of these songs. So the link is to the expanded edition, which includes the original tracklist with a few extras. I listened to the original tracklist based on the expanded edition above, then went back for the deluxe version later just for fun.

Is grunge rap a thing? This has the grimy energy of a grunge-alt album layered with the NY undergound sound. It’s nerdy and smooth, like a comic book store owner who goes all Clark Kent on us and tears up clubs on the weekend. It’s also dusty and analog-sounding, a collection of weird beats and samples that find ways to support no less than nine vocalists as we’re introduced to the Wu-Tang Clan and their obsession with verbal and nonverbal kung-fu.

The history and lore around this album has a distinct effect on how much I enjoyed it, and I can’t help but think that’s the way the creators would want it. Wu-Tang members released album after album of uniqueness on the momentum of this album, and I find that knowledge only enhances how cool the introductions on Enter the Wu-Tang sound today. The music stands on its own, but lore is just as awesome sometimes.

Jams

  • “Bring Da Ruckus”

  • “C.R.E.A.M.”

  • “Method Man” (after the skit, anyway)

From the roundup Jamwise #43 - Best Albums of 1993, pt. 2.

Words by Dave Music Criticism Filed under: Reviews
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